La voix humaine (English: The Human Voice) is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958. It played out of competition at the 77th Venice International Film Festival. La Voix humaine, an unusual work subtitled “Lyric Tragedy”, was created ten years after Dialogues of the Carmelites. 30min | Short, Drama. Directed by Peter Medak. En détachant les syllabes. The work is based on the play of the same name by Jean Cocteau, who, along with French soprano Denise Duval, worked closely with Poulenc in preparation for the opera's premiere. Une femme regarde le temps passer à côté des valises de son ex-amant (qui est censé venir les chercher, mais n’arrive jamais) et d’un chien agité qui ne comprend pas que son maître l’ait abandonné. Directed by Peter Medak. Orchestre Chants libres. [27] Although some passages—most often those in which the voice becomes more lyrical—have a clear tonal center, the tonally ambiguous sections are much more frequent in Poulenc's score. It is set in Paris, where a still-quite-young woman is on the phone with her lover of the last five years. Les sons de la parole sont produits en trois étapes différentes. Pauline Vaillancourt. In a 2003 article Catherine Miller noted, "In 1919, Poulenc composed the. von Francis Poulenc Text von Jean Cocteau Musikalische Leitung: Killian Farrell Regie: Vivien Hohnholz „Zu lieben hat einen Preis und Einsamkeit ist ein Teil dieses Preises.“ (Lars Svendsen) – Eine Frau telefoniert, am anderen Ende der Leitung der Mann, der sie verlassen hat. [17] Poulenc writes coloristically, using different combinations of instruments to achieve certain effects. She then called Marthe, who arrived with a doctor to save her. Inhaltsangabe: Der Film lief außerhalb des Wettbewerbs bei den Filmfestspielen in Cannes im Jahr 1983.. It is also true that none of Cocteau's works has inspired as much imitation: Francis Poulenc's opera La voix humaine, Gian Carlo Menotti's "opera buffa" The Telephone and Roberto Rossellini's film version in Italian with Anna Magnani L'Amore (1948). "[29] Poulenc thereby uses tonal techniques in a more modern, tonally ambiguous harmonic language. La voix chez l'homme est une émission de sons par le moyen des cordes vocales qui fait vibrer l'air. [11], Poulenc finished his score for voice and piano on 2 June 1958[12] and spent the next two months orchestrating the work, completing the version for full orchestra on 7 August 1958. "[8] [n 2] Poulenc left the chronology, telephone problem, and past happiness phases mostly intact, but cut down on or entirely omitted many of the psychological or social phases. Enregistré en une seule prise chez Simone Signoret dans son appartement à Paris, cet enregistrement est selon Jacques Canetti l'un des plus beaux qu'il ait vécu. Topic. : Die menschliche Stimme) ist eine Monooper von Francis Poulenc nach einem 1930 erschienenen Theaterstück von Jean Cocteau. [26] The phone cutting off and re-ringing divides the opera into natural sections and creates a comprehensible structure through which the audience understands the drama. Hervé Dugardin, the Paris director of Ricordi Publishers, suggested that Poulenc set Cocteau's monodrama to music, with Greek-American soprano Maria Callas singing the role of Elle. Après avoir interprété La Voix humaine dans la mise en scène de Krszysztof Warlikowski à l’Opéra de Paris, Barbara Hannigan revient à cette tragédie lyrique dans le double rôle de chanteuse et chef d’orchestre. Although Poulenc initially included a sentimental moment in the opera where Elle speaks about her dog, Duval suggested that the phase be cut because it detracted from the ongoing sense of emotional tension. Exercice de style théâtral plus que véritable œuvre, La voix humaine impressionne par l’expression raide et violente d’une souffrance féminine et de la fascination pour un suicide qui semble, à en croire les indications scéniques données par Cocteau, le destin inévitable de l’héroïne. 14 avril 2021 JMV 2021, Journée Mondiale de la Voix voix. Francis Poulenc composed this operatic monologue for Denise Duval, his favourite singer, who created the role under the direction of Georges Prêtre, with staging and scenery by Jean Cocteau, who also wrote the libretto. For a full list of phases, see Waleckx, pp. Librement adapté d'une pièce de Jean Cocteau (1930), le court-métrage sort aujourd'hui en DVD et VOD. Point d’orgue : La Voix humaine de Francis Poulenc, grande tragédie moderne magnifiée par un dispositif vidéo original. Poulenc viewed the soprano singing the role of Elle as "a co-composer" of the part. [20] This section is more lyrical and tonal, as can be seen in Example 2. Other functions of the orchestra include the representation of Elle's agitation while trying to reach her lover and the jazz she hears on her lover's side of the phone conversation. "[10] Duval also helped Poulenc with his adaptation of Cocteau's text. He is to marry another woman the next day, which causes her to despair. [n 5] These motifs relate to Elle's state of mind, such as those representing her "exasperated waiting," and to situations out of her control, such as her "happy memory. Die Figuren sind gezwungen, nach Wegen zu suchen, mit diesem Verlust zu leben. La voix humaine is similar to these operas: Francis Poulenc, Les mamelles de Tirésias, Dialogues of the Carmelites and more. Although she makes to leave the room, the phone rings and she returns to answer it. [21] Unlike his treatment of the soprano voice, Poulenc gives the orchestra many lyrical motifs, writing in the preface his score, "L'œuvre entière doit baigner dans la plus grande sensualité orchestrale" ("The entire work must bathe in the largest orchestral sensuality"). Poulenc uses the orchestra to connect the soprano's fragmented vocal lines, unifying the piece as a whole. "[9] Poulenc thereby focused on the relationship of the woman and her lover, while still retaining the key points and overall character of Cocteau's play. Finden Sie perfekte Stock-Fotos zum Thema La Voix Humaine sowie redaktionelle Newsbilder von Getty Images. La Voix humaine est une pièce de théâtre en un acte de Jean Cocteau, créée dans une mise en scène de Jean-Pierre Laruy à la Comédie-Française le 17 février 1930.. L'œuvre est adaptée sous forme de tragédie lyrique par Francis Poulenc en 1959, sous le même titre.Elle a également connu de nombreuses adaptations, plus ou moins libres, au cinéma et à la télévision. The Human Voice (French: La Voix humaine) is a monodrama first staged at the Comédie-Française in 1930, written two years earlier by Jean Cocteau. Elle a la forme d'un monologue avec de longs passages de chant sans accompagnement musical. Métro : Cluny - Sorbonne (ligne 10), Notre-Dame des Champs (ligne 12) RER : Luxembourg (ligne B) Bus : arrêt Auguste Comte (lignes 38, 82), Luxembourg (lignes 21, 27, 84, 85, 89) Vélib' à proximité Parking à proximité Tilda Swinton embrase “La Voix humaine” de Pedro Almodóvar. Lover of the opera, but he never admits to his true location la,. In May - Elle: Felicity Lott, 2011Grazie a Giandonato there and assumes he. Für den Verlust ihres Ehelebens leave the room, the French soprano his. 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