My mother never met a stranger. Leanne Ford was born in Pittsburg, Pennsylvania in the United States alongside two siblings. The Q&As are intense as are my exchanges with people who want to talk to me afterward.
Ford: Because of the car that sat outside my parents’ home. It sounds like the challenge for you was breaking the silence, rather than contending with the past. I can only imagine the range of questions you must get during Q&As and how uncomfortable some of them might be. My mother never met a stranger. Reposing... Get email updates about Barbara FORD delivered directly to your inbox. And I hopefully won’t ever stop discovering things about myself. In many ways, it's giving people permission to talk about the traumas that they've suffered. Click here to read our Fall 2020 issue, featuring this year’s 25 New Faces of Independent Film, Steven Soderbergh on Let Them All Talk and more... You are reading a post from 25 New Faces of 2011, Yance Ford was a sophomore at Hamilton College 19 years ago when her brother was murdered. She moved … Right? I learned a lot about myself during this process. In that way, I was used to the process of starting over again.
NFS: That was at the forefront of my mind when you appeared on screen. Ford: I don’t think I’m driven by adversity. I kept thinking about what an arduous, unsettling process it must have been to revisit these traumatic events, and especially, to actually express out loud for the first time how William’s death affected you.
What’s so ironic is that my mother opened a school inside a prison, and my brother was becoming a police officer. “Strong Island” is now available to stream on Netflix. Because that’s really where the meat of the story is. Because the truth is that my brother had been dead for fifteen years when I started making this film. Her only chlld. It does not start with the murder. Yance Ford's parents, William Ford and Barbara Dunmore Ford, in a photograph featured in 'Strong Island'. That photographic eye, and my affinity with performance art and its ability to manifest things in certain situations, helped me change my relationship to the event and my grief. It had to allow for ambiguity. We want to invite people into the family because my family didn't start with my brother's murder. I learned that I could be even more generous. Ford: I’m 45. I had an image of myself in my mind as a working artist, and when he died, all of that changed. Yance is a graduate of Hamilton College and the Production Workshop at Third World Newsreel. I have no idea of what’s going on in the women’s facility there.
There was a coordinated nonresponse. No Film School sat down with Yance Ford to discuss his dual roll as director and character, the aesthetics of absence, and the power one derives from breaking a history of silence. I don’t know.
Courtesy of Netflix.
I left the country to edit the film from scratch and it was there, in Denmark, that I created a new structure and where this version of the film began. My brother died a week before my 20th birthday. But they never knew, and with this film, I am saying to them and to everyone, this is what it’s like to live with it, this is what it did to my family. It’s set in the South and Samuel Jackson plays a man accused of killing the White boy who raped his preteen daughter but was acquitted. And over that time, I incorporated his death into my life. Palermo Argentina Striker, The shooter, meanwhile, was discreetly spirited away from the crime scene. Someone else making the movie might mistake the point of the movie as being an investigation about what happened. And it comes from having thought I was going to be a neurosurgeon and then flunking organic chemistry, flunking physics, flunking math and eventually realizing that I wasn’t actually going to make it to medical school. And were it not for people like that coming into our lives, I think the film might have been an exercise in catharsis. Ford: You know, I think when William died, I was in some ways an artist, and I’m lucky that I was as young as I was because I was able to sort of bisect my relationship to wonderment. She still remembers the moment when, after she had been doing the job for a few years, she had a conversation with an influential colleague.
Alma mater: Hamilton College: Occupation: Director, film producer: Early life. Yance Ford is an African-American transgender producer and director.
Would it be more legitimate if I were Black? Ford: Yes, he is a speck of dust. For nearly two hours, the documentary, which won a special jury award at Sundance this year and began streaming on Netflix on September 15, stares the tragedy of the unprosecuted shooting square in the face. And I am fortunate to have a sister who is dear to me. Jackson’s character seeks justice, hiring a White lawyer to defend him.
I learned that I could be more kind. I had asked all the interview participants to take a tremendous risk in talking to me about William’s murder and to break a silence—a heavy silence—after many, many years of not talking about it at all.
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The reasons for the divorce have not been revealed publicly. Their love for each other and their friendship can be traced in their childhood. “They could have been marching towards a … I didn’t want to see anybody, I didn’t really want to hear anybody.
That’s one of the things that Strong Island had to do. Ford has also placed herself in her movie, even as she admits that she doesn’t like being on camera. I don’t think the film necessarily brought me to a new place in terms of where William’s death fits into my life because he had been dead for 15 years when I started making the film. I’ve had my art critiqued many times, on a weekly basis in college, during which you’re constantly drilled about intention and execution and form and content. I produced my first trailer in that year, but it took a recommendation from a mutual friend to bring Alan and me together. Yance Ford's Wiki: Wife,Partner,Brother,Married,Parents,Car,Spouse,Died.
and took a Third World Newsreel production workshop. The only rock I know that stays steady, the only institution I know that works, is the family. “Programming and shooting at the same time — I have to be careful not to make my film by imitation; not to shoot the films that are in my head instead of the one that’s in my mind.”. Because the truth is that I don’t have access to evidence, I don’t have access to the file, to notes.
The year was 1992. I think for me, having decided to make a film that was born out of personal experience, I knew I needed to have a voice in the film. The shooting style was influenced by a desire to see things that aren’t there anymore. I sometimes see people eat a raw vegetable meal and think they’re going to get a massive stomach ache, and it takes so much work to digest. We thank Yance Ford for his contributions to film, and for his support of our community. Amen. It’s very very simple. @shaunking I would love to have you write about this one. Ford graduated from Hamilton College in 1994.
My mother’s death turned my world upside down, A week before she had her hemorrhage, we were trimming the hedges in her back yard. It’s about the 20 years afterward and the implications of what happened to my family and to the families of those who are being killed now. And in the absence of morals in our leadership, another mother of another dead young person has to fill in the void. As the grieving process becomes part of your life, as it becomes the norm, which is the sick thing about these deaths – is that they reshape your life and it becomes the norm…. Yance Ford: When I first started to make Strong Island, I had a list of ten rules and rule number one was that “Yance will never, ever appear on screen; and if Yance appears on camera, it will only be to play the role of William Ford Jr. in one of the final scenes.” So, yes, I definitely wasn’t planning on being in the film originally, but I did know I needed to be interviewed at some point. Yance Ford: I made a joke one day at POV, saying that I should pay admission every day when I come to work! I immediately began incorporating his death into my work as an aspiring artist.
I mean, with STRONG ISLAND, does having made the film relieve the devastation and the pressure and make life better for you?
We were outside on the porch shooting through the kitchen window without her knowledge—she didn’t know we were out there peering in.
Often for the first time. An Alliance of Women Film Journalists blog. Phil Uncut Gems, That’s why you, as the audience, are at a certain distance. I’ve already done enough.”, "That’s why we start the film with my mother sharing my parents' love story. Prior to dating, Leanne had worked on the interior of Erik’s Echo Park rental. We want to invite people into the family because my family didn't start with my brother's murder.". It’s like poof. That has been a gift. I’m not going to do any interviews. If you don’t experience it or if you’re not open to seeing it in the experience of others, you have absolutely no idea what it’s like to have someone simply disappear. 2007 Ipl Final, as opposed to a detective story. I had spoken to him for the first time and he confirmed my worst suspicions, that the vacuum cleaner incident affected the case to not indict William’s killer. He went to my mother’s ICU bed and I blocked out shots when I realized that she was going to die, and he shot her in the hospital and then, the upside down shot in the film, happens in the sequence in which those shots appear. Like when Travon Martin was killed, I can’t tell you how many emails I got saying ‘your film is so important and ‘now, more than ever, we need your film.’. Ford: You know, we all talked to each other for the first time about William’s murder as a result of Strong Island. Alternating between narrator, investigator and interviewer, Yance maps a timeline that starts with his parents’ flight from the Jim Crow South to suburban Long Island during a time when towns and developers practiced overt segregation.
I respect your rage and I am glad that you feel it because at this point in our history as a nation and when so many people are dying I want you to actually use your power.
Was this disclosure, or any others, new to any family or community members seeing the film? Then it becomes an issue that needs to be addressed. Because it was evacuated when they invaded Paris during World War II and they put it back where she belonged when they reentered. I’ll never forget the first time I saw – and actually it was the first time I’d been to France, to Paris, and I studied art history as an undergraduate – and the first time I saw the Nike of Samothrace, which is at the top of a staircase in the Louvre, I burst into tears. Send 1000 Text Messages At Once App, Ford: Absolutely. I do not know where the man who killed my brother lives. Ford: She was 70.
I am moved by the beauty and Grace of your film. But having lived with this for so long on a daily basis is what, I think, allowed me to let the film be angry, allow it to be ambiguous.
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