waterman's ideal fountain pen identification

Essential Black Fountain Pen GT 18K. Slim Blue Lacquer Fountain Pen ST. Carène. Gold: in a smooth finish, with matching part. They weren’t actually new models, but they were made of rippled hard rubber, a pattern that was exclusive to Waterman during the Golden Age. In 1925, Parker began the same transition.

(The pen shown above has a Purple nib and cap band.). In 1939 a new version appeared that was much more economical to make (U.S. Patent No 2,217,755) — and this one made it to the No 7. IMPORTANT: COOKIE POLICY This website uses different types of cookies to enable, improve and monitor the use of our website. Sterling Silver Limited Edition (1985): I'm not sure a great deal besides a moving mention of the the reality that 5000 had been made. It may be a case where it is worth it to send to a repair person who has knowledge and experience in this (though I realize it is not an expensive pen at this point). So I started to look to buy one online, as I was thinking that maybe a seller would have more information about it. Until the early 1930s, Waterman resisted the changeover to celluloid that was begun by other companies in the mid-1920s. As well the end of the barrels were not the same - mine is hemispherical and the stalwart and dauntless didn't seem to match, and the 502 doesn't seem as rounded as my gem.

Allure.

The seeming incongruity of a Number Seven pen with only six nibs might have motivated Waterman’s introduction of a seventh nib, Brown.

Second-generation pens were the same as the first generation except that the later version had gained a pair of narrow white bands outlining the cap’s color band, which could otherwise be difficult to see (as illustrated by the band on the Purple pen near the beginning of this article), especially in poor light. Regardless, it just refers to a subset of this Le guy 200 range, nearly identical except for the finishes (the other differences come in the part; the normal you've got one gold-plated ring where it meets the barrel, whilst the Rhapsody gets the band split into two components in order that they form a ring whenever screwed in). In the era of hard rubber pens, manufacturers were limited in the variety of colors they could apply to their pens; most were simply black, plain or chased, and were fitted with nickel-plated furniture. Here is an Emerald-Ray No 7 with a Brown nib, a quite uncommon pen today: The No 5 was not produced in the Ray colors; its last incarnation before being removed from the catalog was the Jet version with the barrel-end colored disk. #94, a #4. The nib in the pen is a Waterman's Ideal Canada 2A. I contacted the company for more information, and haven't received a response as of yet. Etoile Limited Edition (1993): it is a silver engraved (structure resembles fougere) pen with matching satin sterling area. The united states 1492 (1992): silver godron cap and part with a briarwood human anatomy. As with the 0652 above, the hundreds digit and the zero prefix of the model number describe the overlay’s style and composition: There are myriad variations of the 52. Because the No 7 was at that time available only as a lever filler, it had no reason to be offered in the Ray version of Jet.

The ink sac was basically destroyed, so I have been looking forward to replacing that and getting on with putting the pen to good use. Same tubular squared profile (but smaller and significantly thinner), two cap rings, two end rings, and comparable other trim. In the newly ordered system, the units digit (2) meant that the pen carried a No 2 nib (as before), and the tens digit (5) identified a lever filler. In Waterman’s numbering system, the frac(1,2); designation indicated a pen of smaller diameter, and the 52frac(1,2); is noticeably slimmer than a standard 52: Smaller can also mean shorter, and Waterman capitalized on the need for a compact pen by producing vest-pocket models such as the 52V: Combining a shorter body with a thinner profile produced the smallest of the 52 versions, the 52frac(1,2);V: The 52V and 52frac(1,2);V above both illustrate a third configuration that was common in the early years of fountain pens. Looks familiar, but I am thrown off by the equal size of both cap and body.

The disc-shaped jewel is black/gold using the Waterman "W" logo design. I want to thank Daniel Kirchheimer for providing several valuable points of information that appear here. There are two primary nib designs: a simple two-tone nib imprinted with "Waterman / Best / Paris / 18k 750 / France" and a fancier one with a world on it. The 1934 Golden Anniversary issue of Waterman’s house organ, the Pen Prophet, dates the company’s lever filler to 1913; based on adver­tise­ments and other ephemera, more reliable sources cite 1915. A good blue pen (with black blind cap and part). This is not a matter of using different patterns on pens of different sizes; Waterman changed its design in 1923, and each of the known patterns exists on pens of various sizes. The nib also includes the 1883-1983 inscription. The nib in the pen is a Waterman's Ideal Canada 2A. By the time of the 1929 Good Housekeeping ad shown above, Waterman’s advertising described the No 7 as “Everyman’s pen,” encouraging the reader to "Ask any dealer to show you all seven styles…" Before the end of the No 7’s product life, three additional colors (Grey, Black, and White) appeared, making a total of ten.

Rippled pens were decked out with gold-filled furniture.noteNum(); Another method for enhancing the appearance of an otherwise “dull” hard rubber pen is to add precious metal trim. The finishes vary and a great deal more colorful, in addition to cap musical organization functions a fancier design: Additionally a few that were made entirely of wood. In the latter half of the 1930s, Waterman began shipping No 7 pens fitted with nibs bearing the number 7 below the WATERMAN’S IDEAL imprint instead of color names above it. But one model stands out among its siblings as perhaps the most popular Waterman: The Ideal No.

7 in the hundreds place; silver, by an 8; and gold filled (doublé or) by a 9. But it wasn’t ordinary hard rubber; it was a beautiful two-tone material with the unique “Ripple” pattern that Waterman and Day had developed to replace Waterman’s four-year-old mottled (“woodgrain”) hard rubber. My thanks to David Nishimura for the information on the demise of the No 5, and to Jim Baer for the loan of several pens for photography. But one model stands out among its siblings as perhaps the most popular Waterman: the Ideal No 52. More than anything else, photos of your actual pen, rather than pens that look like it, would really help. with no digits in the hundreds or thousands place, such designations did appear in catalog listings. I will try to take some photos of the actual pen in the next couple days. Imprinted on every pen L. E. Waterman produced from the 1880s into the middle of the 20th century, these words identify one of the most popular and collectible brands in history. Has anyone any idea on what model is this, please? Fitted with a ring at the top of its cap, the ringtop was intended to be carried on a ribbon or chain. If you have both, it is easy to tell them apart centered on size; if you don't, know that the guy 100 features a finned feed even though the Man 200 has actually a-flat feed. The clip and lever assembly are gold filled to match. The nib in the pen is a Waterman's Ideal Canada 2A. The black (BHR) and black chased (BCHR) 52s shown here are typical examples from the latter half of the 1910s: The pens above have the famous Waterman riveted clip, patented in 1905 (U.S. Patent No 800,141), but many pens of their era (including other examples of the 52) were sold as clipless models, to be carried in purses or other “pockets” or, perhaps, fitted with accommodation clips. Lacque du Chine (chinese lacquer, emerald flake on black). The pen I have was a close match to the Stalwart, the Dauntless or the Waterman 502, except the spaces on the cap between the opening and the brass ring were a little bit bigger than the pen I've found, and the top of the clip on the tip of the cap seems a little different also. Expert. The ink sac was basically destroyed, so I have been looking forward to replacing that and getting on with putting the pen to good use. Ivory Fountain Pen GT. They're additionally manufactured from wood, but are stained without natural lumber: Additionally, there's a Rose Wood pen, but this is just a factory model and do not joined basic manufacturing. Allure. Powered by. Although it was sold only in a version with a clip, the No 5 might have been intended as a ladies’ pen; it is significantly shorter and slightly smaller in diameter than the contemporaneous No 52. Introduced in 1985 and discontinued into the belated 1990s or early 2000. Copyright © 2020 l www.penparents.org. I think this must be special-ordered and had an MSRP inside $12000 ballpark. The new version retained most of the styling (restrained and by the 1930s outdated) that had characterized Waterman’s pens for decades; the “updated” design is reflected in the streamlined furniture and the tapering of the ends, but the pen still retains the “classic” flat ends.

Patricia. There were some irregularities in this system (e.g., the #20, an eyedropper with a #10 Waterman finally saw the handwriting on the wall, and sometime in 1929 the company introduced a celluloid version of the popular No 94. 412 adorned a well-balanced barrel and an efficient ink-feed system joined to a responsive solid-gold nib. Other celluloid models followed, among them the No 7. In 1924, Sheaffer had followed the lead of LeBoeuf, a small New England company that had begun selling celluloid pens four years earlier, and transitioned its production from hard rubber to celluloid. RRHR: Beginning and end. Lewertowski your Man 100 ended up being never ever theoretically discontinued; a little trickle for the gold remains offered the Asian marketplace since 2006. For the very well heeled, makers offered larger expanses of precious metal.

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The company finally retooled the 52 into the new material in 1934. maybe?) Big. (Although attempts have been made to pass off faked White nibs, no authenticated example is known to exist, so that a complete color collection comprises nine nibs.) Repoussé gold-filled bands were very popular during the early 20th century, and many pens featured more than one (with the cost proportionate to the number and width of the bands). It was actually a No 55 body fitted with a slightly larger nib that featured a remarkably attractive keyhole-shaped breather hole. I am aware with a minimum of the next finishes (silver trim unless otherwise specified): Just what do a graphic designer, a teacher…, Smooth flowing and great weighting Great….

I can tell it has been well used over the years, it was difficult for me to even find the waterman name on the barrel, but when I did, I was over the moon. Patents Nos 2,068,419 and 2,087,672, respectively); if it did, then when Copper-Ray was introduced, the formerly pointless Ray version of Jet probably also appeared on the No 7.

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