Rothwell, S. "Artists’ portraits of the Sydney Harbour Bridge." It was shown at the first exhibition of linocuts to be held at London’s Redfern Gallery in 1929. colour linocut, printed from five blocks on thin cream laid tissue, 24.1 x 21.3 cm image; 31.1 x 24.6 cm sheet.

North, Ian, Black, Dorrit, 1891–1951 and Art Gallery of South Australia. Helen Campbell, Colour, rhythm, design: wood & lino cuts of the 20s & 30s, 'Introduction', pg. Dorrit Black was interested in creating an environment that would enable others to work in the new style.

As she grew older "the vitality of the natural world" became fundamental. Black was influenced by Flight to use bold geometrical patterns and harmonious colour schemes. If you have queries about lots purchased in this auction, please contact customer services. corner within image, pencil "D.B".

She was a member of the South Australian Society of Arts and the Contemporary Art Society. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. This lot has been removed from the website, please contact customer services for more information. No. Dorrit Black … The rising and falling black lines in Music have a compositional rhythm similar to Flight's own prints such as Swingboats, 1921, and Spring, 1926. Durability of Bridge Structures: Proceedings of the 7th New York City Bridge Conference, 26–27 August 2013. ‘Music’ was created in 1928 by Dorrit Black in Cubism style.

plate no. [14][15] The Bridge has been painted in jewel-like colours such as, aquamarine and “shimmering peacock.” The Bridge, by Black, was Australia’s first Cubist landscape. 31; cat.no.

This was the first of six one-woman shows which were to feature her work. Dorrit Black: Unseen Forces is the largest retrospective ever staged of the artist’s work and is the first exhibition in nearly forty years to reassess Black’s contribution to the story of Australian art.. NOTE: this is not the AGNSW impression.

c.1945. Dorrit Black and cookie policies for more information.

[2] She brought the styles back to Australia with her in 1929.

Closed Good Friday & Christmas Day, Update from the Gallery regarding COVID-19, Read the latest visit information, including hours, Art Deco and works from the period (1980), Review: works by women from the permanent collection of the Art Gallery of New South Wales, Art Deco: from Sydney cinemas and pubs to skyscrapers, Australian Collection Focus: Colour, Rhythm, Design - wood & lino cuts of the 20s & 30s, Professor Sadler, Japan and Australian modernism, Modern impressions; Australian prints from the collection. Tracey Lock-Weir., Dorrit Black: unseen forces, 'The modern medium: colour linocuts', pg.143-167, Adelaide, 2014, 8-9 (col. illus detail),148, 149 (colour illus. "[17] Her work was described by critic Ivor Francis as: deeply respected by the more informed section of Adelaide artists. Read the latest visit information, including hours, 23 Dec 1891 13-15, Sydney, Aug 2013, 14.

[1], In 1927, Black went by herself[4] to London and attended the Grosvenor School of Modern Art, where she experimented with colour linocut printing while studying under Claude Flight. A travelling retrospective of her work was organized by the Art Gallery of South Australia in 1975, who presented a major exhibition of her work from 14 June to 7 September 2014. THIS AFFECTS THE BIDDERS LEGAL RIGHTS. Please refer to our

Inspired by a jazz night at the Dominion Arts Club, London, Black has placed dancing figures and pianist amidst a dynamic, zigzagging pattern of lines and earthy colour to evoke the lively beat of the ‘new’ music. 24-28, Sydney, Jun 2013, 24 (colour illus.).

ARTIST BIO: Categories: International Art Denise Mimmocchi, Sydney moderns: art for a new world, 'Making Sydney modern: the artistic shaping of the postwar city', pg. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). colour linocut on thin oriental laid paper. ), 57, 121. [8] By the time she returned to Australia, Black had become an active proponent of the Cubist style. By continuing to use our site you consent to the use of cookies. Her body was cremated following a Unitarian service.[2]. 66-85, Sydney, 2013, 79, 178 (colour illus. ), 136. cat.no. Black’s print encapsulates the ecstasy of dance during the jazz age. Stephen Coppel, Linocuts of the machine age: Claude Flight and the Grosvenor school, 'The Australians: Dorrit Black, Ethel Spowers and Eveline Syme', pg. 23.4, Jane Hylton, Modern Australian women: paintings & prints 1925-1945, 'Modern Australian Women', pg.

Accession no: 768G86. 'Music' is one of Black’s earliest prints, made while studying at the Grosvenor School of Modern Art under Claude Flight.

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